Saturday, March 5, 2011

In the Studio (Session 2)

     After another session in the studio with Cameron, and a few new models, here are the results.  We attempted some different lighting scenarios and had a lot of fun experimenting.  Our models were willing to go with our ideas to create something a little different from the usual portrait set up.


     Special thanks to Mel, Mandi, and Jacky for helping us out with Cameron's run at a scholarship through the Skills USA program.



Jacky is naturally posed here in a conversational position.
Warm lighting with an amber gel over a speedlight illuminating the 
backdrop adds a comfortable feel to this portrait.

 Mandi takes on a contemplative pose in this portrait.
The green gel on the speedlight creates a sense
of "other than present" state of mind for her.
Changing the color of light creates mood in
portraiture.

 Mel was having so much fun during our session with her.
She is posed here in a strong, triangular position lending
power to this portrait while at the same time a sense of
femininity and softness.

 A blue hue to the backdrop allows a coolness to this
portrait of Jacky.  Her eyes are focused of camera as if
she's laughing at something we don't know about.  The camera 
angle is low here offering a sense of grandeur, as if Jacky is
greater than us all.

 Here, Mandi takes on a soft pose haloed by warm lighting.
The camera angle is high and Mandi's face is directly into
the camera's position elongating her neck.  This causes
her to look more slender and offers a more appealing look
than if the camera angle were to be at her head level.

 A casual pose helps the viewer to connect with the
portrait.  Here, Mel supports her body weight on her back arm
and tilts her head toward her shoulder.  Her forward arm lays
across her lap.  Again, a higher camera angle allows a slimming
effect on the model.

 In this portrait I wanted to emphasize the rule of thirds.  Mel's
body position is  also diagonal and linear leading the
viewer's eye directly to her face.  The line from her arm to her shoulder,
complimented by the line created by her hair, also adds to this
effect.  She is offset to the right of the image creating space
in the portrait.  I often like these images printed very large, almost
life size.  The warm splash of light on the backdrop creates an
interesting gradient from light at the bottom to darker at the top.
This is in direct juxtaposition to Mel's coloring which starts dark
with her jeans and gets lighter with her hair creating visual interest.

 Mel is about to go back to brunette and wanted a portrait that
highlighted her hair color.  Here the key light was placed at 45°/45°
with a smaller soft box (about half the size of the one on the key
light) below and in front of the camera position.  I metered from the
smaller light with the key light set two stops higher to create a touch
of rim lighting.  Mel dropped her head backward a bit giving the viewer
a 45° profile of her face from the top of her head.  Again, a warm splash
of color on the backdrop was accomplished with a speedlight and
amber gel placed on the floor directly behind the model's position.
This is a very feminine portrait.


     Overall, this session was fulfilling to me as a photographer and to the models as they were having so much fun posing for Cameron and I.  Having fun in the studio often lends to creativity and coming away with something a bit different than what you may expect.  I hope you enjoy studying these portraits and can use them to fuel your own creative juices!

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